Adrenaline

Music blog

Saturday, 17 December 2011

AYCEE JAMES: ULIKU REVIEW What will pique your interest after a careful first listen is the creative use of Jesse Jagz beat which aided the massive airplay of the the hit 'Oleku' all around the continent, as she infused her own creative touch to cleverly dub it 'uliku.' And thats what makes it stand out. Aycee manages to capture the idea of missing someone in a more than surreal way making it seem more of a believable situation (it seems like it). While the song is captivating all throughout, by the time you get to the last verse (just a a more hyped version of the first with a little bit more of spunk) you're going to want to abuse the replay button for this one!!

Posted by Tiya joan at 01:32 3 comments:
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Labels: AYCEE JAMES: ULIKU REVIEW

Friday, 16 December 2011

DRAKE: I GET LONELY TOO REVIEW This track has the clear signature of 40's production with the raw ambience and vibe that perfectly hoover over the lyrics infused with an intertwining melody and addictiveness. All this create the perfect dynamic for this honest approach to someone he wants to explore the possibilities of a relationship with,(well thats if he will be given the chance). Back to the topic though, i gotta say im really fascinated by the flowing easiness and piercing depth that instantly communicate that these are the kind of lyrics that only come from the soul.

Posted by Tiya joan at 05:54 No comments:
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Labels: DRAKE: I GET LONELY TOO REVIEW

Wednesday, 14 December 2011

I'ts always easy when you're trying to write a song to end up plagarizing another song, or offering a slight variation of a latest hits you've just heard. whether conciously or subconciously, i'd say its because it is as one definite music truth goes- its harder to be creative when you're paying too much attention to what other people are doing. With that said, paying too much attention does limit you in that you're consistently giving yourself the unnecessary urge to emulate what other people did with their tracks and shunnin away your own idetity. If you can pull it off then good for you, just dont over do it. i've bin there done that and observed people who do it on a constant basis by creating their own versions of the latest tracks, and i've come to see that by feeding off of someone elses creativity you're depriving you and the listeners of your own capabilities. Thats why these days when i'm writting i put myself in a space where i've detoxified myself from any other song or melody my brain is attached to, so the focus is on me only and what i have to say rather than how someone else would do it. When you imitate it only limits you and your own potential, rather create.

Posted by Tiya joan at 02:40 No comments:
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Labels: Being original in your songwritting

Thursday, 20 October 2011

sound adrenaline Ok i'll admit that i have never done this before, so forgive me if my blogs aren't masterly executed or anything. But one thing i will definitely do is add a little sling on em lol. Incase you're wondering, my blog is just about me expressing my passionate sentiments on anything that has to do with music, absolutely anything. It could be anything from writting a song or album review, especially those that pique my interest so its more of the idolizing but ama try to be objective. To talking about music production related stuff or being an upcoming artist since i can relate. Mainly its just whats going in the music industry or what Should Not be going on in the indust, either on the international or local m-dubz scene. All i have to do now is find a pace to explore all that and im good to go.

Posted by Tiya joan at 14:17 No comments:
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Labels: Music blog
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  • ▼  2011 (4)
    • ▼  December (3)
      • AYCEE JAMES: ULIKU REVIEW ...
      • DRAKE: I GET LONELY TOO REVIEW ...
      • I'ts always easy when you're trying to write a son...
    • ►  October (1)

About Me

Tiya joan
i'm a rapper, a writer and a poet. And an aspiring music producer, my dream is to make a bold statement in the music industry. i haven't made it yet but i'm getting there, just taking it steady and slow.
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